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I referred last week to the manner in which Chandrika and her cohorts were promoting Reconciliation. In the nineties she and Mangala had embarked on the Sudu Nelum movement, which did not win hearts and minds but at least that functioned in areas which were supposed to have a majority mindset that was to be changed.

In time however the idea of Reconciliation through cultural activity became the preserve of the elite. As I noted when I took over the Peace Secretariat, vast amounts of money were given to those with good connections to produce propaganda supposed to promote peace. I used to call this the Dancing Butterflies syndrome, different coloured youngsters moving together so as, in theory at any rate, to encourage ethnic binding. Not entirely coincidentally, those who governed the funds awarded money to each other, Uyangoda being a principal culprit in this regard through the Social Scientists’ Association, while Young Asia Television was by far the largest beneficiary.  No one bothered to measure the impact of all this work, or rather of all this money for very little work.

Now the practice has begun again, and the elite have produced what is termed ‘A Conversation across Generations’, targeted at ‘bridging a gap between the generations – a gap of comprehension, a gap of empathy, of knowledge or perspective’. The technique employed was, it seems, to interview older people and create monologues from their memoirs.

I was invited to a performance of four monologues, and am very glad I went, since a couple were most entertaining. The most entertaining told us little about the past though, one being a wryly amusing account of an old lady trying to cope with the modern technology through which her children, now living abroad, try to maintain contact. Pia Hatch, daughter of two memorable stage stars of the seventies, Graham and Michelle Leembruggen, was delightful as an old lady not sure what buttons to push or how to deal with a Skype call.

The second lively performance was in fact a dialogue, between a lady who had been great friends with those who plotted the 1962 coup and her devoted manservant. His asides were most amusing, while Ranmali Mirchandani captured superbly the cocooned life of ladies of leisure in those distant days. I suspect nothing much has changed, except that they now have to jostle with those whose wealth is more recent to exercise influence with decision makers. Read the rest of this entry »

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Rajiva Wijesinha

September 2017
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