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Siobhain McDonagh’s researcher

After the meeting held recently in the House of Commons, a young man who claimed to be Siobhain McDonagh’s researcher (and also to work for the Bank of Scotland, during a later conversation) agreed to send me video footage of attacks on hospitals. He claimed he had a lot, and this substantiated a clip he had prepared of Dr Shanmugarajah saying that the Sri Lankan forces were attacking the hospital at which he was working.

Predictably he did not send me that footage. That decision was, he said, after careful consideration, which I could understand. I suspect that footage was what had been supplied to Channel 4. We know from that meeting that Siobhain McDonagh had been in touch with Channel 4 over the making of its film. It would certainly have been very telling if material for that film had been supplied to Channel 4 by her researcher, after which she claimed that the film was an objective account on which she based her allegations against Sri Lanka.

Fortunately her researcher, Canaa as he told me his name was, or Daran as he signed himself in and then emailed me, could not let well alone. In addition to sending me the clip of Dr Shanmugarajah talking, he sent me two more clips. One was gruesome, and seemed to be of the dead body of a soldier being carried by fellow soldiers talking in Sinhalese. It dwelt horrendously on his mutilated face. I could see no reason for this except triumphalism, to be used perhaps as propaganda, to show how effective LTTE terrorism was.

Daran however told me, when I asked him, that he had obtained the clip from a site selling film clips made by Sinhalese soldiers. When I asked him how much he had paid for this, he said he had got it free, as a sample. I think the story most unlikely, because it is extremely unlikely that fellow soldiers, even if filming the bringing back of a dead body, would have dwelt quite so ostentatiously on a mutilated face.

Even more suspicious was the second video, that of what seemed to be an aerial attack. The first part had planes flying and smoke rising, but the main substance was the footage of wailing over dead bodies. Some of the wailing also seemed exaggerated and false, but that is of course a subjective view. Clear was the fact that nothing actually connected the latter pictures to the former, and it seemed clear to even an amateur eye like mine that there had been a great deal of editing.

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Rajiva Wijesinha

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